Early Music Performance & Research Issue 54 Autumn 2024
| Page | Title | Author |
|---|---|---|
| 1 | Editorial | Samuel Teague |
| 3 | Barometers of Change: The Silencing and Reintroduction of Organs during the English ’Long Reformation’ | Nicholas Thistlethwaite |
| 11 | Silvestro Ganassi and the Valente Master (1542–43): Forging a Model of the Perfect Player | Giulia Tettamanti |
| 31 | Report – Music & Majesty: Chapels Royal, Cathedrals, and Colleges, c.1485–1688, 1–2 July 2024, The Linnean Society, Burlington House, London. | Michael Winter |
| 35 | Review – Peter Croton, A Method for the Baroque Lute based on Historical Sources (Le Luth Doré, Paris, 2022). xiii + 337pp. ISMN: 377-0-0017-8840-1. | Martyn Hodgson |
| 39 | Review – Jennifer Thorp, The Gentleman Dancing-Master: Mr Isaac and the English Royal Court from Charles II to Queen Anne (Clemson, SC: Clemson University Press, 2024). 256pp. ISBN: 978-1-63-804095-8. | Peter Holman |
| 43 | Review – Russell Gilmour, ‘Just’ Natural Trumpet (Russell Gilmour, 2024). 268pp. ISBN: 978-1-73-971592-2. | Crispian Steele-Perkins |