Early Music Performance & Research Issue 53 Spring 2024
| Page | Title | Author |
|---|---|---|
| 1 | Editorial | Samuel Teague |
| 3 | ‘Honest Jo. Priest’ and his School in Chelsea | Olive Baldwin & Thelma Wilson |
| 11 | Playing with Playford: The English Dancing Master & the English Folk Scene | Jon Boden |
| 25 | Jestbooks and Drinking Songs: William Byrd and Popular Culture | Katherine Butler |
| 33 | A Musical Enigma: The Baroque Bass Recorder | Isobel Clarke and Douglas MacMillan |
| 46 | New Theatre Airs by William Croft at Urbana | Peter Holman |
| 50 | Review: Anne Martin, William Byrd: Consort Music (Hebden Bridge: Peacock Press, 2023) | Alexandra Siso |
| 51 | Review: The Choir of Chichester Cathedral, Charles Harrison, Rose Consort of Viols. What Joy So True: Anthems, Canticles and Consort Music by Thomas Weelkes. Regent Records. 2023 | Nancy Hadden |
| 52 | Report: William Byrd at Lincoln: A Symposium Commemorating the 400th Anniversary of the Composer’s Death, 3-4 July 2023, Lincoln Cathedral | David Dewar |