Early Music Performance & Research Issue 52 Autumn 2023
| Page | Title | Author |
|---|---|---|
| 1 | Editorial | Sam Teague |
| 2 | Il faut que l’air soit accommodé aux paroles: Monsieur Lully gives a lesson in composition | John S. Powell |
| 10 | What Handel Learned in Hamburg: The Composers of the Hamburg Opera and the Development of the Oboe as an Obbligato Instrument, 1691–1705 | Blake Johnson |
| 25 | Blurred Boundaries: Performance through Transcription in Edwin Fischer’s Bach Recordings | Pierre Riley |
| 50 | Report: Medieval and Renaissance Music Conference 2023 Munich, 24-28 August 2023 | Joseph Mason |
| 51 | Report: 20th Biennial International Conference on Baroque Music Haute École de Musique de Genève, 28 June-2 July 2023 | Caroline Lesemann-Elliott and Addi Liu |
| 54 | Review: Benjamin Cosyn, Complete Keyboard Music, ed. Orhan Memed, Musica Britannica CVII | David J. Smith |
